Friday, January 14, 2011

Martial Memories and Steel

A duplicate of a post I did on themanwhonevermissed blog:


Here a short video of the knife that Mushtaq Ali made for me a few years back. Nice little claw, isn't it?




And here, a link to his article on his first meeting with Maha Guru Plinck -- more than a few years ago. Sera players will find this to be an interesting bit of history.

In the piece, Mushtaq references our mutual friend Steve Barnes, whom he introduced to Silat Sera. Which is fun, because it was Barnes who introduced me to the art a couple years later.

Wednesday, January 5, 2011

A Link You Might Enjoy


Mushtaq Ali did a piece on his blog on improvised weapons I thought was passing well done, so here the link. Check it out


He also had some nice things to say about our art's main man in these parts, Maha Guru Stevan Plinck. Since Mushtaq once trained with Guru, albeit many moons back, he has experience to back up his comment and knows that about which he speaks.


Unlike some folks who are quick to bad-mouth our mutual teacher at the drop of a rice bowl ...

Tuesday, November 9, 2010

Upcoming Video


I came across this while I was looking for something else -- it's a short clip from what was a June, 2010, seminar. 

The technique in the teaser is a block and biset (foot-drag) takedown. 

Maha Guru Plinck, to the left in the b.g.,  sports his Yul Brynner look. 

I haven't heard from Guy Bowring, at Resonant Video, when it will be available or what it will cover and cost, but as a heads-up for Sera fans, there's the link. 

Guy doesn't make any real money at this, it's a service for the instructors and students of the art, and there are a couple of vids by Guru Plinck, one on the knife, and another that is a multi-instructor seminar in Las Vegas. If you are lucky enough to train with Guru Plinck, you know how terrific the quality of instruction is; if you can't make it to a seminar, the videos are worth having.


Addendum:


This, from Edwin:


"It is available, to people registered on the Resonant Video website student as Serak students, at least: I've had them for a few weeks now.

The set is four DVDs, one for Friday, two for Saturday, one for Sunday.

Friday:
• Groundwork and Why to Train It
• Entering - "Meaningful" Training
• Entering - Receiving with Structure
• Entering - Structure vs. Movement
• Entering - Correct Timing & Shoulder Line
• Entering - Second Shoulder Line
• Entering - Coordinating the Hips
• Entering - Receiving with the Lower Art
• Entering - Generating & Receiving
• Entering - Understanding of Sambut 1
• Entering - Q&A (Training Entries)
• Knife - Grip & Range
• Knife - Protecting the "Backup Hand"
• Knife - Timing & Entering
• Knife - Using Sera Basics
• Knife - Q&A (Range)

Saturday (Disc 1)
• Using Partner's Intent to Train Your Timing
• Critique of Attendees' Jurus
• Why Train Jurus this Way
• Structure for Correct Timing & Movement
• Defensive Sambut 1
• Defensive Sambut 2
• Taking Applications from Sambuts 1 & 2
• Defensive Sambut 3
• Defensive Sambut 4
• Defensive Sambut 5
• Defensive Sambut 6
• Defensive Sambut 7
• Defensive Sambut 8
• Defensive Sambut 9
• Defensive Sambut 10
• Defensive Sambut 11
• Defensive Sambut 12
• Defensive Sambut 13
• Defensive Sambut 14
• Defensive Sambut 15
• Defensive Sambut 16

Saturday (Disc 2)
• Guru Bob - Receiving Without Stepping
• Guru Bob - Receiving & Taking a Step
• Guru Bob - Shoulders, Hips & Moving
• Guru Bob - Hip Orientation & Movement
• Guru Bob - Arm Structure
• "Short & Sweet" Combinations
• Sera Punch Strategies
• The Application of Hard/Soft Training
• Attacking Sambut 1
• Attacking Sambut 1 (Using Jurus 2 & 3)
• Attacking Sambut 2
• Attacking Sambut 3
• Guru Plinck's Personal Sambut Variations
• Sambut Summary & Analysis
• Level 1 of Juru Understanding
• Juru 1 with Level 1 Understanding
• Juru 1 with Level 2 Understanding
• Juru 1 with Level 3 Understanding
• Juru 1 with Level 4 Understanding
• Level 5 Understanding
• Q&A - The "Level Down" & Pukulan
• Honesty About Your Training Progression
• Juru 2
• Juru 3
• Juru 4
• Juru 5
• Juru 6
• Q&A - Juru 3, Juru 4, Juru 5

Sunday
• Introduction & Guru Bob - Juru 5 Applications
• Recognizing Stylization in Sera• Importance of Position as a Defense
• Footwork to Change Structure & Position
• Understanding Upper Art, Lower Art & Distance
• Guru Plinck's Preferred Variations
• Tiga - Applied with Understanding
• Tiga - Transition from Training to Real Timing
• Tiga - Defensive Footwork Using Attacking Sambut
• Tiga - Defensive Sambut 15 Applied with Understanding
• Footwork Changes the Flavor of a Juru
• Adjusting Technique Based Upon Distance
• Footwork is the Key to Timing
• Juru 6 & Weapon Principles
• Knife - Recognizing Disarm Opportunities
• Knife - Disarming with Leverage & Efficiency
• Knife - Cover High/Low & Strive for Position
• Knife - Countering with Empty Hands & Checking
• Knife - Dealing with More Realistic Attacks
• Knife - Intent & Attacking Sambuts
• Knife - Recap & Summary
• Knife - Transfer to Inside Using Upper Base
• Knife - Transfer to Outside Against Upper Feed
• Knife - Distinguishing Sera Knife from Other Styles
• Knife - Importance of Stab with the Transfer
• Knife - Transfers as Counters & Training
• Knife - "Checking" as Transfers to Gain Position
• Knife - Training Transfers
• Knife - Anticipating Opponent's Transfers
• Knife - Transfers - How to Train
• Machete - Basic Movement (Solo & 2-Man Drill)
• Machete - 2-Man Drill - Creating an Opening
• Machete - 2-Man Drill - Stabbing & Wing Block
• Machete - 2-Man Drill - Counter Low Attack
• Machete - Q&A - Footwork
• Q&A - Sliwa Demonstration
• Q&A - Turnaround & Variations
• Q&A - Training Drills & Footwork"

Friday, September 17, 2010

Sera Class With Obstacles


Kind of dark, but you can see we're also doing a bit of dog-fu here ...

Wednesday, September 8, 2010

Spiral

I liken my martial arts training (and most everything else I'm learning) to a spiral, a shifting helix, like a stretched-out coil spring that ascends around a core. Each time it cycles, it is at a slightly different angle to the subject. Sometimes almost at the same level, sometimes maybe a bit below; what I hope for is that it is slightly higher than when I passed the same spot before.

Still looking at the same vista, but from a little different viewpoint, you can see things that maybe you didn't see last time. And if you are paying attention, you can add to your knowledge.

So after a long time playing with knives, we are back to basics again -- doing combinations, which everybody knows don't work in the real world, but which we do to learn the ways in and out of them. You may never get to throw that killer nine-strike combo, but you might find yourself in a position wherein one piece or another would be perfect, and you might have it -- if you've played with it a time or twelve.

It's not about going through the whole sequence, as it is figuring out once you do this or that, then what can reasonably happen from there? What if he blocks the first shot? Or the second?

Every attack has a counter, as does every defense. You won't have time to dick around with too many of these, but you might really need more than one.

Where are your balance and focus? How can you get offline, past his attack, to his side, or behind him? (We spend a lot time doing that in platform-based training. You can meet the attack head-on, you can retreat; you can slip the attack by moving offline, and change the relative positions. You can alter the timing -- meet, advance it, retard it.

How you do these requires practice. What tool you use requires experience using it.

Djuru Eleven works if you are behind the attacker; that level change won't do if he's right in front of you. How you get there from here is good to know.

You learn things of limited use for that one time when it comes up. Traps and locks against a full-power attack are iffy for anybody less than really expert -- like those accupressure spots that knock somebody cold with just a touch. Hit it dead on, you are golden, but in the heat of fury, pinpoint accuracy, or reaching for a figure-four lock is apt to get you smacked real good.

If you soften somebody up, rack 'em in the nose with a good shot, then maybe that suddenly-floppy arm or acupressure point will open wide, so it's good to have the tool. Just maybe not so smart trying to use a tack hammer when what you need is a nine-pound sledge.

Um. Anyway, we have some newbies and relative newbies, plus us old guys could use another pass around the core, so we have been mining the first and second djurus again, and there are some real diamonds to be found. Fascinating how I come across the odd epiphany now and then, one of those head-smackers where you go, "Oh! Yeah! That's what that means!"

I confess that doesn't happen as often as it used to happen. At this level, it's getting to be about precision and, I hope, instinctive mastery of this or that. I feel that I have plenty to use if I need it.

Point is, it never hurts to go over the basics. Chances are, if you ever have to use your training, it's the basics that will save your ass. That's why you learn them first ...

Thursday, July 22, 2010

Basic Knife Notions



Maha Guru Plinck taught a knife seminar a while back in Colorado, and Resonant Video was onhand, and put together a short vid.

Just under half an hour, it touches on subjects that students of the blade might find interesting.

Chapters

• Introduction
• Gripping the Knife
• 4 Quadrants of Attack
• Reverse Grip Defense vs Common Grip
• Check, don't Block a Knife
• Positioning your Feet for Knife Fighting
• Reverse Grip Defense vs Common Grip #2
• How to use Checking in Knife Training
• "Give and Take" Drill
• Ending the "Give and Take" Drill with Takedown
• Countering within the "Give and Take" Drill
• Drill Progression: "I Win, You Win"
• Options for Interrupting the Drill
• Hand Transfers Within the Drill
• Reverse Grip Structure
• Flowing with "Give and Take" Drill
• Options for Closing the Gap with Knives
• Knife Elements & Ranges

Running Time: 29 mins

Now, this isn't going to turn you into a knifefighter. And it is really basic material; however, if you are curious about Sera, this offers an introduction to some of the building blocks.

You can get it here.

Tuesday, July 6, 2010

Consistency

One size doesn't fit all when it comes to martial arts techniques. What you hope to learn is enough so you have options when the need arises, and that your practice allows you to choose the right tool in the moment without having to stop and ponder on it.

A system that offers responses for most of what you are apt to run into isn't perfect, because you might run into something for which you have little or no practice; still, it's a numbers game, and you are trying to shade the odds in your favor. There are no guarantees.

We believe that the laws and principles we learn offer a certain consistency of motion; that the general is as important as the specific. The first time I realized this was inherent in the art was when my teacher invited a punch to demonstrate a technique. "Which hand, left or right?" I asked.

"Doesn't matter," he said.

This was contrary to every other martial art I had studied before, and that alone was enough to sell me had I been skeptical that I was dealing with something different.

One of the things we spend a lot of time learning is how to close and move in on an attacker. Having had little in-fighting or grappling before, I found this a lack in my skills, and something I wanted to learn. This smother-the-attack-and-close attitude permeates what we do. We aren't real big on backing up, though we can for pure evasion. And we can also jink to the side or aslant to avoid collisions when need be, it'll depend on the situation and the opponent.

We have spent most of the last sixteen months in our class working primarily on the knife. Since this is a blade-based art, this maybe isn't a surprise, but much of that has been baby steps -- going from static drills against single attacks, dealing with more involved multiple attacks and uncommitted feints and such while moving. Learning how to read an attack and respond effectively is the core of what we have been trying to achieve.

Biggest thing we learned was, of course, if somebody pulls a knife, run away real fast. Failing the ability to not be there, or to leave in a hurry, the what-then? stuff kicks in.

All along, I have been fighting the tendency to smother the attack and move in. We weren't going there because we hadn't learned the safest -- a relative term -- way to do so. But I've always known that was coming, especially with the reverse (icepick) grip against the saber grip. Knives being equal length and combatants near the same size, the saber (common) grip gives you more reach. In a knife fight, generally speaking, longer is better and for obvious reasons: If I can reach you with my blade and you can't reach me with yours? My advantage, other things being equal.

The consistency thing here is, if you what you train for most of the time won't work if you suddenly go from bare to blade or vice-versa, then you need to reëxamine your art. And what we have gotten to is that going in, while scary against a blade, can be the safest place for you to be -- if you do it right.

That's the trick, of course, doing it right ...